Everything I Own was created in response “Who are you? Show, don’t tell.”
I wanted to create something that was honest, by nature – that left no place to hide. I gave myself the option to not put something on camera, on the condition that I had to immediately give it away. I had to own the things I owned, and accept whatever judgement may come.
My fiber arts practice is materials-driven – I wait until a fabric reveals what it would like to be, and then do my best to realize it. I work mainly with secondhand and recycled textiles, so there are inherent restrictions in the design process – I can’t simply go out and buy more.
In my quilting practice, I hope to honor the fabrics that I use by combining modern and traditional techniques to create pieces that are visually unique.
Made from out-of-date swatch books from various suiting companies.
Featured at QuiltCon 2025
An improvised quilt made from vintage Liberty Print fabrics. Constructed entirely with hand-sewing techniques.
Featured in 787 Gallery’s “Nature” in 2025
Sun Wobbles details
Freehand pattern
Made from an out-of-date swatch book from a mens shirt making company.
A miniature quilt inspired by cellular division, and topographical maps
Reversible baby quilt using second-hand fabric. Quilted by hand, making a “star” motif on both sides
I’ve been knitting and crocheting for almost 20 years, and because of this, I’m quite fluent in the process – I can improvise, and make things up as I go. I enjoy the process of discovery that comes with creating something from a mental image, rather than a published pattern.
Various techniques used
I learned corsetry through a Short Course at the Royal Academy of Dramatic Art in Summer 2017. All corsets were made using these techniques, adapted slightly to better suit the needs of the project.
Made with 3M high-visibility and reflective material. Under normal light, the neon yellow has a day-glow effect, but when captured with flash photography, the boning channels glow and darken the rest of the image.
Using hand pleated satin on a Tudor-inspired silhouette, this corset was made to reference dragon scales, as well as fantasy armor. Fully lined, with flat steel boning and english coutil for structure.
Created for a Tulane University Production of Intimate Apparel, designed by Jennifer Jacobs
Based on the Tudor silhouette, shortened slightly for comfort and wearability. Includes hand-embroidered eyelets and aglets.
I enjoy collage because of the inherent restrictions of the medium. When you use one side of the page, you sacrifice the other. You can’t will the photo to be a different size or color, since you’re working in physical space with limited materials
I almost exclusively use collage to create postcards for friends – the process of creating something small and sending it out into the ether, rather than keeping it for myself, has allowed me to release some of the pressure of making the 'perfect thing.'
I am a self-taught embroiderer, and recently I have taken an interest in more traditional methods (see: Blackwork David Bowie)
The jacket series is ongoing; I make 1-2 per year as gifts
DMC cotton thread on pre-existing denim jacket.
DMC Cotton Embroidery Thread, Gutermann Sew-All thread, and metallic fabric on pre-existing denim jacket (Design inspired by the New Orleans Water Meter graphic)
DMC cotton thread on pre-existing denim jacket.
Based on an illustration by Edward Carey
From the poster for the Rocky Horror Picture Show
Inspired by modern burlesque performers breaking the norm of what is traditionally attractive, I started creating pasties with unconventional themes and construction.
Many are hand-beaded and embroidered, while others simply use glue, paint, and craft-store finds. Each measure approximately 2” in diameter.
Ceramic Plates, cotton trim, and beaded/embroidered ants on gingham outdoor fabric
UV reactive glass beads on a canvas backing.
Rhinestones, bugle beads, glitter, and UV resin on a thermoplastic base, made in the early days of coronavirus quarantine
Czech glass beads on a backed fabric base
UV Resin and glass beads on a thermoplastic base
Inspired by the paintings of Mondrian
Watercolor 13.5”x10”
Watercolor and Acrylic 10”x14”
Three flat interpretations of an 3D architectural space, acrylic paint on cotton paper.
Black pen on Bristol paper
Tee shirt and sticker designs for the band “Scallion”